The Rode brand is one of the best ones on the market and they offer a certain level of confidence with regards to both the quality of the engineering and the quality of the audio. Compare Prices at: Amazon Thomann. As we’ve reviewed microphones for many years now, we’ve gotten a good hang of creating guides for particular uses, so today for our voice over microphone guide wanted to give you an array of choices that span across multiple microphone types, connectivity, budgets and more.USB Gaming Condenser Microphone,XIIVIO Plug&Play Computer PC Microphone Mic with Tripod Stand and Pop Filter for Mac/Windows,Recording Voice Over.Best USB mic for voice-over.3.5mm stereo headphone output with volume control built-in to body. Internal capsule shock mounting. Windows and Mac compatible. Buy it on Amazon: resolution, 8-48kHz sampling. Studio quality USB microphone you can connect to your iPad, iPhone, iPod touch, Mac or PC.
Number one in the voice over game as we said is sound quality. Especially if you’re doing this as a career or at least a potential lifelong journey, saving up a few extra bucks to find a microphone that provides a feasible sound quality will stand you a part from others. Budget – An obvious main factor when keeping in mind any purchase, we do want to first note that when choosing the best voice over microphone for you, money will go a long way. Featuring real-time LED metering and a ton of customization options Blue Yeti a plug-and-play USB mic for beginners Rode. The R&216 DE Podcaster is a dynamic, end-address USB microphone. 10 year extended warranty when you register your microphone. Our ultimate preference if we had to choose would be an XLR microphone due to the flexibility we’ll attain. It can be either USB connectivity or hooked up traditionally using an XLR port and cable. Type of microphone – We recommend a condenser microphone no matter what, no questions asked. Need other gear? Just a voice over microphone isn’t always enough. USB mics are still feasible, especially for those on lower budget. The benefits of these are unmatched and you simply do not get these with USB mics (you can’t hook up USB mics to audio interfaces or preamps) — you can adjust gain, add FX, and tweak your sound even further instead of relying on post-production in your music software. You can choose either a stand power supply, or what we love is either a microphone preamp or an audio interface. However, having an XLR connection gives you the ability to find a middle man since they need an external device for phantom power. Or you can shop for them all separately.The Best Microphones for Voice Overs Blue Yeti ProUp first we have an easy recommendation for many “audio quality” and “ease of use” concerns, combined with a beautiful build and relatively affordable price tag. We recommend a few microphone packages below if you want to look into buying more than just a microphone while also saving some money. Keep this in mind not only for budget purposes, but also not wanting to get your microphone in the mail only to be found that you can’t even use it yet and have to buy more gear. However, when we say “other gear”, we mean some equipment you may already have lying around or didn’t even know you needed, such as headphones, certain cables, audio interfaces or preamps, mic stands, shock mounts, pop filters and more. Rode NT1AHere’s our favorite affordable studio-quality condenser microphone for voice overs or really, any type of recording you can think of when it comes to a warm and clear sound. This really just scratches the surface on this one, but our pick as the best voice over microphone definitely goes to the Blue Yeti Pro. These can come in handy if you want to use this microphone for other uses as well. Having an extra ‘middle-man’ like this can give us more freedom for tweaking the sound quality we attain, whether it’s adding FX, gain, additional EQ, or really a ‘feel’ and ‘sound’ that isn’t attainable straight into a computer using a USB port.In regards to specs, the Yeti Pro gives us a beautiful and whopping 24-bit/192 kHz audio resolution, a built-in A-D converter (essentially a preamp) if you do indeed want the USB route, as well as four adjustable pattern settings available — cardioid (recommended for voice overs in a studio), omnidirectional, stereo, and bi-directional. The reason we recommend XLR to many voice over recording artists is due to the flexibility we attain, since we can plug it into either an external preamp or audio interface. Neumann TLM103Let’s talk high-end for a second. A great microphone for voice overs here, or any recording uses you can think of outside of that, too. At the end of the day however, the Rode NT1-A is a beautiful microphone that has a price-tag which still makes us scratch our heads at times. The inside includes what’s called a JFET impedance converter which is definitely fancy-sounding, but to put it simply, is a higher-quality inside build to ensure quality and conversion of your sound waves into your recordings.We would prefer an XLR microphone like this as opposed to a desktop USB mic if you can afford it, but if not we’ll understand and ask you continue on later down the list for a cheaper alternative. With an extended dynamic range and high sound-pressure level tolerance, we won’t have to worry about a lack of depth and ability to handle the possibility of distortion. If anything it says this thing packs a powerful and advanced punch within a small body.So what makes this voice microphone so much more expensive than the others? Without getting too technical, it’s all in the internal build (and external of course, considering we have a rugged casing made of metal with a nickel finish). This is a lot smaller than many other “studio mics” but size with music and recording gear is never an indicator for anything. Usually used for vocals in the studio, if you have this bad boy at your fingertips for voice overs, you’ll never have to worry about “quality” ever again. The staple point of this package is Focusrite’s Scarlett 2i2 audio interface (we’re using this one at the moment), which is one of the most popular budget-friendly and starter audio interfaces in the world. Focusrite Scarlett 2i2 StudioHere’s a slightly different spin to a voice over microphone since it includes much more than that, but as previously stated, may be exactly what you need when it comes to saving money and finding the right additional gear you’ll need for a complete setup. We could get into more details but for now, just know the Neumann TLM-103 is the real deal as the best voice over microphone if you have a big budget. It also aids in feedback suppression. App store for mac 105Overall, the Scarlet 2i2 Studio made it into our microphone packages at number one for a reason, and is a great solution for voice over recording artists if you needed more than just a microphone while saving some money on top of it. You may already have headphones, but make sure they’re suitable for recording, otherwise you’ll have sound leak into the mic and disrupt the mix. If you are in need of a feasible mic to record voice overs, their included CM25 is suitable even for those who do this for money.The package lastly includes some of their HP60 closed-back headphones, which are great for noise isolation to disallow your mix from getting jumbled with noise. The microphone itself is solid and will do a great job in a recording atmosphere, albeit isn’t necessarily an expensive and high-end condenser microphone we’ve listed previously. It also has a ‘built-in’ audio interface, albeit not as effective as standalone interfaces, will save you some money if you prefer to just go straight through the mic to computer. New for this year, the G-Track Pro offers a built-in desktop stand for those who prefer to do it on their desks (you can remove it), with some nifty controls on the actual mic itself as well — recording select switch (mono or two tracks), a polar pattern switch button, mic volume, instrument volume, headphone volume knob, as well as a master mute button.Coming with a resolution of 24-bit/96 kHz for recordings, this is the higher-end range for USB’s nowadays, starting to rival pro condenser mics (not yet, however). This one definitely rivals the Blue Yeti, but is slightly cheaper than their Pro in case you wanted a higher-end USB microphone while saving a few bucks. Avantone Pro CV-12Are you concerned with not just having the clearest, most digital-sounding audio? Need some warmth and an old-school, vintage, and ‘warmer’ (yes, totally subjective terms, but that’s what many mic heads state) feel to your voice overs? Let’s chat about a classic tube microphone that’s one of our favorites ever.
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